Faye Dunaway - Faye Dunaway

Faye Dunaway
Fay Dunaway 1997.jpg
Dunaway 1997 yilda
Tug'ilgan
Doroti Faye Danauey

(1941-01-14) 1941 yil 14-yanvar (79 yosh)
Baskom, Florida, BIZ.
Olma materBoston universiteti
KasbAktrisa
Faol yillar1961 yil - hozirgi kunga qadar
Turmush o'rtoqlar
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(m. 1974; div 1979)​

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(m. 1983; div 1987)​
Bolalar1

Doroti Faye Danauey (1941 yil 14-yanvarda tug'ilgan) - amerikalik aktrisa. U oluvchidir ko'plab maqtovlar, shu jumladan Akademiya mukofoti, an Emmi mukofoti (asosiy vaqt), uch Oltin globus mukofotlari va a BAFTA mukofoti. 2011 yilda Frantsiya hukumati uni San'at va adabiyotlar ordeni xodimi.

Uning karerasi 1960 yillarning boshlarida Brodveyda boshlangan. U o'zining ekranli debyutini 1967 yilgi filmda o'tkazgan Sodir bo'lmoqda Va o'sha yili noqonuniy tasviri bilan mashhur bo'ldi Bonni Parker yilda Artur Penn "s Bonni va Klayd, u uchun u birinchi "Oskar" mukofotiga sazovor bo'ldi. Uning eng ko'zga ko'ringan filmlari orasida jinoyatchilarning asari bor Tomas Crown ishi (1968), drama Tartib (1969), revizionist g'arbiy Kichkina katta odam (1970), ning moslashuvi Aleksandr Dyuma klassik Uch mushketyor (1973), neo-noir sir Chinatown (1974), bu uchun u "Oskar" ning ikkinchi nominatsiyasini, aksiya-dramatik falokatni qo'lga kiritdi Towering Inferno (1974), siyosiy triller Uch kunlik kondor (1975), satira Tarmoq (1976), buning uchun u g'olib chiqdi Eng yaxshi aktrisa uchun Oskar mukofoti va triller Laura Marsning ko'zlari (1978).

Uning karerasi keyingi yillarda, ko'pincha mustaqil filmlarda, uning munozarali obrazidan boshlab, etuk va xarakterli rollarga aylandi. Joan Krouford 1981 yilda filmda Mommie Azizim. U paydo bo'lgan boshqa taniqli filmlar orasida Supergirl (1984), Barfly (1987), Xizmatkorning ertagi (1990), Arizona orzusi (1994), Don Xuan DeMarko (1995), Oltinlarning alacakaranlığı (1997), Gia (1998), Jozibadorlik qoidalari (2002) va Xayr, xayr odam (2017). Dunaway shuningdek, bir nechta spektakllarda, shu jumladan sahnada o'ynagan Barcha fasllar uchun odam (1961–63), Kuzdan keyin (1964), Hogan echkisi (1965–67), Istak deb nomlangan tramvay (1973) va mukofotlangan Sara Siddons mukofoti opera xonandasi obrazi uchun Mariya Kallas yilda Master-klass (1996).

Dunaway o'zining shaxsiy hayotini juda yaxshi himoya qiladi, kamdan-kam intervyular beradi va juda kam jamoatchilik oldida chiqish qiladi. Bilan romantik munosabatlardan keyin Jerri Shatsberg va Marchello Mastroianni, Dunaway ikki marta turmushga chiqdi, birinchi navbatda qo'shiqchi Piter Bo'ri va keyin fotografga Terri O'Nil, u bilan Liam ismli o'g'li bor edi.

Hayotning boshlang'ich davri

Dunaway yilda tug'ilgan Baskom, Florida, Greys Aprelning qizi (ism-sharif Smit; 1922-2004), uy bekasi va John MacDowell Dunaway Jr. (1920-1984), martabali ofitser. Amerika Qo'shma Shtatlari armiyasi.[1][2] U Ulster Shotlandiya, Ingliz va nemis kelib chiqishi.[3][4][5] U bolaligini Amerika Qo'shma Shtatlari va Evropani kezib yurgan.

Dunaway tugatgan raqs darslari, kran, fortepiano va qo'shiq o'qidi Leon o'rta maktabi Florida shtatidagi Tallaxassida, keyin Florida shtati universiteti va Florida universitetida o'qigan va Boston universitetini teatr yo'nalishi bo'yicha tugatgan. U yozni katta yoshidan oldin Garvardning yozgi aktsiyadorlik jamiyatida o'tkazdi Loeb drama markazi, uning sheriklaridan biri bo'lgan joyda Jeyn Aleksandr, aktrisa va kelajakdagi boshliq San'at uchun milliy fond.[6] 1962 yilda, 21 yoshida u aktyorlik kurslarida qatnashdi Amerika milliy teatri va akademiyasi. Uni ko'rdi Lloyd Richards ishlab chiqarishda Krujkava direktorga tavsiya etilgan Elia Kazan, uning Linkoln Center Repertory Company uchun yosh iste'dodlarni izlagan.[3] Shuningdek, u aktyorlik bo'yicha o'qigan HB Studio[7] Nyu-York shahrida.

Boston universitetini tugatgandan ko'p o'tmay, Dunaway Broadway-da uning o'rniga kelgan edi Robert Bolt dramaturgiya Barcha fasllar uchun odam. Keyinchalik u paydo bo'ldi Artur Miller "s Kuzdan keyin va mukofotga sazovor bo'lganlar Hogan echkisi Garvard professori tomonidan Uilyam Alfred, uning murabbiyi va ma'naviy maslahatchisi bo'lgan. "Onam, akam va sevimli o'g'lim bundan mustasno, Bill Alfred mening hayotimdagi eng muhim yagona shaxs edi. O'qituvchi, ustoz va men hech qachon bo'lmagan otam, ota-onam va hamrohim. Men doim xohlagan bo'lar edim, agar bu tanlov meniki bo'lganida edi. U menga oddiy hayotning fazilatlari, ma'naviyat, haqiqiy go'zallikning pokligi va hayotning ushbu tartibsiz biznesida qanday yurish haqida juda ko'p narsalarni o'rgatdi. "[8]

Karyera

Dastlabki filmlar va yutuqlar, 1967-1968

Danauining birinchi ekran roli komediya jinoyatchilik filmida bo'lgan Sodir bo'lmoqda (1967) filmida suratga tushgan Entoni Kvinn. Uning ijrosi tanqidchilar tomonidan yaxshi xabarlarga sazovor bo'ldi; ammo, Rojer Ebert ning Chicago Sun-Times u "yonoqlarini qo'lining orqa tomoniga qo'ygan holda juda chiroyli hiyla-nayrang namoyish qilmoqda" deb spektaklni panjara qildi.[9] O'sha yili u yordamchi rolga ega edi Otto Preminger dramaturgiya Sundownga shoshiling, qarama-qarshi Maykl Keyn va Jeyn Fonda. Filmni suratga olish Deynvey uchun qiyin bo'lgan, chunki u Preminger bilan to'qnashgan, chunki u o'zini "aktyorlik jarayoni haqida umuman hech narsa" bilmasligini his qilgan.[10] Keyinchalik u ushbu tajribani "har kunning oxirida menga zarar etkazadigan hissiyot qoldiradigan psixodrama" deb ta'rifladi.[11] Dunaway Preminger bilan olti rasmli shartnoma imzolagan edi, ammo filmni suratga olish paytida shartnomasini qaytarib olishga qaror qildi. "Otto bilan shartnomadan chiqish menga qancha pul sarf qilar edi, agar men u bilan u filmlarni suratga olishim kerak bo'lganida edi, demak men qilmagan bo'lardim Bonni va Klayd, yoki Tomas Crown ishi, yoki men birdaniga tanlashni tanlagan vaziyatda bo'lgan filmlardan biri. Men o'tkazib yuborgan filmlardan tashqari, yana beshta dahshatli filmda qolib ketish xitoyliklarning suv qiynoqlari bo'lishi mumkin edi. Faoliyatimning boshida menga etkazilgan zararni baholashning iloji yo'q ".[12] Premingerning filmi tanqidiy yoki kassadagi muvaffaqiyatga javob bermadi, ammo Dunaway "Oltin Globus" mukofotiga nomzod bo'lish uchun etarlicha xabarni saqlab qoldi. Yilning yangi yulduzi.

Dunaway va Uorren Bitti yilda Bonni va Klayd (1967)

Danauey rejissyor bilan intervyu olishga harakat qilgan edi Artur Penn u boshqarayotgan paytda Quvg'in (1966), lekin kasting rejissyori tomonidan rad etilgan, u o'zini filmlar uchun to'g'ri yuzga ega deb o'ylamagan.[13] Penn o'zining sahnalarini ko'rganida Sodir bo'lmoqda ozod etilishidan oldin, u bank qaroqchisi roli uchun o'qishga ruxsat berishga qaror qildi Bonni Parker yaqinlashib kelayotgan filmi uchun, Bonni va Klayd (1967). Bonni roli uchun kasting qiyin kechgan va ko'plab aktrisalar, shu jumladan, roli uchun tanlangan Jeyn Fonda, Seshanba payvandlash, Ann-Margret, Kerol Lilli, Lesli Karon va Natali Vud. Penn Dunawayni yaxshi ko'rar edi va aktyor va prodyuserni ishontira oldi Uorren Bitti, kim o'ynadi Klayd Barrou filmda u ushbu qismga to'g'ri kelganligi. [Iqtibos kerak] Dunaway qiyosiy noma'lum bo'lishidan tashqari, Bittining tashvishi uning "favqulodda suyak tuzilishi" edi, u Bonni Parker uchun noo'rin deb o'ylardi, u Texas shtatining kichik banklarida yurganida o'zini aybsiz ko'rinishga harakat qilmoqda.[14] Biroq, Danauey tomonidan olingan ba'zi fotosuratlarni ko'rgach, u fikridan qaytdi Kertis Xanson plyajda: "U to'pni to'r orqali urishi mumkin edi va u aqlli va kuchga ega bo'lib, uni ham kuchli, ham romantik qildi."[15] Danauey bu rolga tayyorgarlik ko'rish uchun atigi bir necha hafta bor edi va undan xarakteriga depressiya davri ko'rinish berish uchun ozishni so'raganda, u och dietaga o'tirdi, ovqatlanishni to'xtatdi va o'ttiz funt tushdi.[16]

Film taxmin qilinganligi sababli uning asl nusxasida munozarali edi qotillarni ulug'lash va o'sha paytda misli ko'rilmagan grafik zo'ravonlik darajasi uchun. Kassada yaxshi natija ko'rsatdi va Dunawayni yulduz darajasiga ko'tardi. Rojer Ebert filmga yuqori baho berdi va shunday deb yozgan edi: "Butun namoyishlar beg'ubor. Uorren Bitti va Faye Danauey bosh rollarda avval ekranda qilgan har qanday narsadan ustun bo'lib, o'zlarini katta darajaga ko'tarishdi (ajablanib). aktyorlar. "[17] Film o'nta "Oskar" mukofotiga nomzod bo'lgan, shu jumladan "Eng yaxshi film" va "Dunaway" "eng yaxshi aktrisa" nominatsiyasida birinchi nominatsiyani oldi. Uning ijrosi unga a BAFTA mukofoti eng yaxshi yangi kelgan uchun va a Devid di Donatello eng yaxshi chet el aktrisasi va u endi eslaganidek, u endi Gollivudning eng bankrot aktrisalaridan biri edi. "Bu meni san'at bilan shug'ullanadigan aktrisalar qatoriga qat'iy qo'ydi. Aktyorlik mahoratini aktyorlik san'atiga ko'taradiganlar bor, endi men ham ular qatorida bo'laman. Men o'sha paytda oltin qiz edim. Yildan-yilga Oskar mukofotiga nomzod bo'lib, kamida bittasini qo'lga kiritadigan ayollardan biri.Film mening ishimning sifatini aniqladi. Bonni va Klayd meni ham yulduzga aylantiradi. "[18]

O'sha film mening borlig'imga ta'sir qildi. Bonni his qilganimdek, men hech qachon biron bir xarakterga juda yaqin bo'lganman. U qayg'uradigan, g'azablangan, shuhratparast janubiy qiz edi, u qaerda bo'lsa ham chiqib ketmoqchi edi. Men chiqib ketishni istash haqida hamma narsani bilardim va chiqish oson bo'lmaydi. Ammo Bonni bilan haqiqiy fojiali kinoya bor edi. U faqat hech qaerga ketmasligini va oxiri o'lim ekanligini ko'rish uchun chiqdi.[19]

— Faye Dunaway

Dunaway yana bir zarba bilan muvaffaqiyatni ta'qib qildi, Tomas Crown ishi (1968), unda u Viki Andersonni, Tomas Crown bilan aloqada bo'lgan sug'urta tekshiruvchisi (Stiv MakKvin ), mukammal jinoyatni tortib olishga urinayotgan millioner. Norman Jewison dan sahnalarni ko'rganidan keyin Danaveyni yolladi Bonni va Klayd chiqarilishidan oldin. Artur Penn Uorren Bittini Danaveyni suratga olishga ko'ndirishi kerak bo'lganligi sababli, yahudiy McQueenni ushbu qism uchun haq ekanligiga ishontirishi kerak edi. Filmda Dunawayning ta'sirchan uslub belgisi bo'lib qolgan obraz bilan shahvoniyligi va nafisligi ta'kidlangan. Ushbu rol 29 dan ortiq kostyumlarni o'zgartirishni talab qildi va bu juda murakkab edi.[20] "Vikining dilemmasi, o'sha paytda, ayollar uchun yangi paydo bo'lgan hodisa edi: Qanday qilib bularning barchasini erkak dunyosida qiladi va bu jarayonda hissiy va shaxsiy hayotini qurbon qilmaydi?"[21] Dastlab u bilan ishlashni istamasligiga qaramay, keyinchalik MakKuyen Deynveyni u bilan birga ishlagan eng yaxshi aktrisa deb atadi. Dunaway ham McQueenni juda yaxshi ko'rardi. "Bu haqiqatan ham birinchi marta katta yoshdagi katta kino yulduzi bo'lgan odam bilan qarama-qarshi o'ynashim edi va aynan shu Stiv edi. U atrofdagi eng yaxshi ko'rilgan aktyorlardan biri edi, uning iste'dodi uning katta tijorat jozibasiga teng kelmadi."[22] Film juda mashhur edi va Dunaway va McQueen shaxmat o'yinini o'ynab, jimgina taxtada bir-birlarini aldash bilan shug'ullanadigan sahna bilan mashhur edi.

Ishda muvaffaqiyatsizliklar, 1969–1973

Tugallangandan so'ng Tomas Crown ishi, Dunaway Frantsiyaga sakrab tushdi yangi to'lqin Italiyada suratga olishni boshlash uchun rejissyorlar Vittorio de Sica romantik drama, Sevishganlar uchun joy (1968). Ushbu film Marchello Mastroianni bilan bo'lgan, u Venetsiyada poyga avtoulovi haydovchisi bilan bo'ron ishqibozi bilan kasal bo'lgan amerikalik modelyerni o'ynagan. Dunaway har doim hamkasblari bilan romantikadan qochishni xohlagan bo'lsa-da, Mastroianni bilan ikki yil davom etgan muhabbat munosabatlarini boshladi.[23] Film badiiy umidsizlik va tijorat nuqsoni edi. 1969 yilda Dunaway paydo bo'ldi Tartib, rejissyorlik qilgan drama Elia Kazan, xuddi shu nomdagi romaniga asoslanib, aksincha Kirk Duglas. Film kassada yomon ish olib bordi, aksariyat salbiy baholarni oldi, garchi Dnauve maqtovga sazovor bo'lsa ham, Rojer Ebert uning aktyorligi "nafaqat uning tengdoshi" deb yozgan edi Bonni va Klayd, lekin haqiqatan ham u shu vaqtdan beri qilgan yagona yaxshi aktyorligi ".[24] Vinsent Kenbi The New York Times u "shunchalik ajoyib va ​​oqlangan ko'rinishga ega ediki, uning ko'rinishi optik asablarni siqib chiqarishi mumkin".[25] Shuningdek, 1969 yilda, Favqulodda dengizchi, rejissyorlik qilgan komediya sarguzashtlari Jon Frankenxaymer va shuningdek, rollarda Devid Niven u darhol otib tashladi Bonni va Klayd, yomon sharhlarga chiqarildi va tijorat qobiliyatsizligi isbotlandi. Agentining noroziligiga qaramay, Dunaway Mastroianni bilan vaqt o'tkazish uchun ko'plab mashhur loyihalarni rad etdi.[26]

Dunaway, televizor uchun "Hoganning echkisi", 1971 yil. Ajoyib namoyishlar, PBS, [27]

1969 yilda Dunaway o'zining g'arbiy qismida Artur Pennga yordam sifatida rol o'ynadi, Kichkina katta odam.[28] Noyob komik rolda Dunaway tub amerikaliklar tarbiyalagan o'g'il bolani tarbiyalashda va uni yo'ldan ozdirishda yordam beradigan vazirning jinsiy repressiya qilingan xotinini o'ynagan. Dastin Xofman. Film tanqidchilar tomonidan keng maqtovga sazovor bo'ldi va bu erda Dunawayning ozgina tijorat muvaffaqiyatlaridan biri bo'ldi. O'sha yili u bosh rolda paydo bo'ldi Yiqilgan bolaning jumbagi (1970), rejissyor tomonidan eksperimental drama Jerri Shatsberg va model hayotidan ilhomlangan Anne Seynt Mari. Film Dunaway uchun ikkinchi "Oltin globus" nominatsiyasida, "Eng yaxshi aktrisa" - "Kino kinoteatrlari" mukofotiga sazovor bo'lgan bo'lsa-da, tijorat qiziqishini keltirib chiqarmadi. Film qayta tiklangunga qadar 40 yil davomida qorong'ulikda qoldi 2011 yil Kann kinofestivali Dunaway sharafiga.[29] Mastroianni bilan Italiyadagi ichki masalalarda qatnashgan, bir necha oy sanoatdan uzoqlashganidan keyin u g'arbda keyingi rolini topdi. Hujjat Haqida hikoya qiluvchi (1971) O.K.da otishma Korral va uning qahramonlaridan biri, Doc Holliday. Filmni suratga olish jarayonida Dnauey ishlashni qanchalik sog'inganini tushundi.[30] O'sha yili u frantsuz trillerini suratga olishga kirishdi O'lik tuzoq uning Linkoln Center vatandoshi bilan Frank Langella, allaqachon tepadan kelgan rejissyor bilan emas Yangi to'lqin (Jan-Lyuk Godar dastlab birinchi skriptiga o'z hissasini qo'shgan edi Bonni va Klayd), ammo urushdan keyingi frantsuz direktori eng keng miqyosda hurmat bilan, Rene Clément.[31] Dastlabki tortishish kunidan atigi besh oy o'tgach, film namoyish etildi 1971 yil Kann kinofestivali, lekin asosiy tanlovga kiritilmagan.

Ham Hujjat na O'lik tuzoq tanqidiy yoki moliyaviy jihatdan katta e'tiborni jalb qilgan edi, shuning uchun Dunaway televizor uchun filmda suratga tushish taklifini qabul qildi, Men sevgan ayol (1972), unda u tasvirlangan Uollis Simpson.[32] U 1973 yilda filmga qaytdi Stenli Kramer drama, Oklaxoma xomashyosi, qarama-qarshi Jorj C. Skott. Bu shijoatli loyiha edi, unda Dunaway yana bir murakkab obrazni "o'z ambitsiyasi va ayolligi o'rtasida qolib ketadigan ayolni ijro etishi kerak edi. Film ochilgach, u mixlar singari qattiq, otishma birinchi va so'raladigan savollar" - kechroq ayol. Yo'lda u o'zini asta-sekin ajrashgan otasi va sevgilisiga ochadi. Men bu dilemmani, ambitsiya va muhabbat o'rtasidagi ziddiyatni, sevging bilan boshqalarga ishonishdan qo'rqishni yaxshi angladim. "[33] Film kamtarona muvaffaqiyatga erishdi, ammo Danauey uning ijrosi uchun yaxshi eslatmalarni oldi. Rojer Ebert filmni ko'rib chiqishda qanday qilib u hech qachon o'zi bajargan ishning tepasida bo'lmaganligini ta'kidladi Bonni va Klayd, va uning karerasi o'sha paytdan beri "juda g'ayrioddiy" bo'lganligini aytdi. U uning faoliyatini maqtadi Oklaxoma xomashyosi, u rolni "juda ko'p uslublar bilan" ijro etganini aytib, "Balki u aktyorlikka qaytishga qaror qilgan bo'lishi mumkin", deb qo'shib qo'ydi.[34]

1972 yilda, filmning suratga olinishidan so'ng Oklaxoma xomashyosi, Dunaway sahnaga moslashishda qaytdi Garold Pinter "s Oldingi paytlar. U sahnani filmdan ko'ra qiyinroq deb topdi.[35] "Oldingi paytlar menga juda murakkab yo'llar bilan ta'sir qildi. Spektaklning o'zi hayotimdagi qiyin paytlarda menga hayotning million jihati borligini eslatdi. Hech qachon bitta javob yo'q. Professional ravishda, agar men jiddiy tarzda sahnaga qaytish uchun bu qadamni qo'ymaganimda, bu uchun azob chekardim deb o'ylayman ".[35] Keyingi yil Dunaway tasvirlangan Blanche DuBois ning Los-Anjeles bosqichida moslashuvi Tennessi Uilyams "s Istak deb nomlangan tramvay. "Bu men uchun juda qiziqarli, ammo juda zerikarli spektakl edi. Har kecha jinnilik avjiga chiqqanida, men bir zumda harakatlanib, tik turishdan tizzagacha yiqilishga qadar borardim."[36] Uilyamsning o'zi Deynveyni uning ijrosi uchun maqtagan: "Keyinchalik u menga jasur va yoqimtoyman, deb o'ylaganini va unga erta yoshdagi bolani eslatib qo'yganini aytdi va mening chiqishim eng yaxshi ko'rsatkichlarga ega ekanligini aytdi. Bu haqiqatan ham uning maqtovi edi".[37] Bundan tashqari, 1973 yilda Dunaway yovuz odam sifatida paydo bo'ldi Milady de Winter yilda Richard Lester "s Uch mushketyor, asoslangan Aleksandr Dyuma ' shu nomdagi roman, birgalikda ijro etgan Maykl York, Oliver Rid, Richard Chemberlen va Charlton Xeston. Oxir oqibat prodyuserlar filmni ikki qismga bo'lishga qaror qilishdi: Uch mushketyor va To'rt mushketyor (1974 yilda chiqarilgan). Tanqidchilar va tomoshabinlar ham filmni o'zining harakatlari va kulgili ohanglari uchun maqtashdi va Dunaway uchun muvaffaqiyatli loyihalar qatorida birinchi bo'ldi.[Iqtibos kerak]

Uyg'onish, 1974-1981

Direktor Roman Polanski Deynveyga o'zining sirli neo-nuarida Evelin Mulrayning bosh rolini taklif qildi Chinatown (1974). Garchi uning ishlab chiqaruvchisi, Robert Evans, Polanskini ko'rib chiqishni xohladi Jeyn Fonda bu rol uchun, Dunaway temperament uchun obro'ga ega ekanligini ta'kidlab, Polanski Dunaway'dan foydalanishni talab qildi.[38] U detektiv J.J.ga ruxsat berishdan ko'ra ko'proq narsani biladigan soyali femme fatale bo'lgan Mulrayning qiyin va murakkab rolini qabul qildi. Gittes (o'ynagan Jek Nikolson ) bilish. Danauey Nikolson bilan yaxshi munosabatda bo'lib, uni keyinchalik "jon umr yo'ldoshi" deb ta'riflagan, ammo u diktatorlik va suratga olish maydonchasida nazorat qilish obro'siga ega bo'lgan Polanski bilan to'qnashgan.[39] "Roman juda avtokrat edi, har doim narsalarni majbur qilar edi. Bu jismoniydan ruhiygacha bo'lgan. U juda hukmron va abraziv edi va spektaklni manipulyatsiya qilmoqchi ekanligini aniq aytdi. Bunday yondashuv men bilan hech qachon ishlamagan."[40]

Suratga olish ishlari boshlanganidan ikki hafta o'tgach, ikkalasi qarama-qarshilikka duch kelishdi. Polanski Danaueyning sochlaridan birini boshidan tortib oldi, unga aytmasdan, chunki bu nurni ushlab turardi.[41][42] Danauey xafa bo'lib, uning qilmishini "sadist" deb ta'rifladi va g'azab bilan suratga olish joyini tark etdi. "Bu sochlar emas edi, men tinimsiz shafqatsizlikni his qildim, muttasil kinoya, meni kamsitishning abadiy ehtiyoji".[41] Yillar o'tib, ikkalasi ham bir-birlariga bo'lgan hayratlari bilan o'rtoqlashdilar, Polanski ularning janjallari muhim emasligini aytdi - "Bu natija muhim. Va u dahshatli edi", Danauay "bu juda ko'p narsadan yasalgan" deb tan oldi. Polanski bilan ishlashni yoqtirganini va uni "ajoyib rejissyor" deb ataganini qo'shimcha qildi.[43] va buni ta'kidladi Chinatown "ehtimol men yaratgan eng yaxshi film" bo'lgan.[20]

To'plamdagi murakkabliklarga qaramay, film tugatilib, porloq sharhlarga chiqarildi va oxir-oqibat klassikaga aylandi. U o'z byudjetini deyarli besh marotaba to'ldirdi va 11 ta Oskar mukofotiga sazovor bo'ldi. Dunaway ikkinchi eng yaxshi aktrisa nominatsiyasini oldi, shuningdek, "Oltin globus" va "BAFTA" nominatsiyalarini oldi. Film namoyish etilgandan so'ng, prodyuser Robert Evans Dunawayni maqtashga to'la edi. "Unda hamma narsa bor: go'zallik, iste'dod, nevroz. U ajoyib g'alati narsalardan biri. Chiroqlar o'chib qolganda va u yuz zulmatdan chiqib ketganda va u sizga o'sha katta sirli ko'zlar bilan qarasa, men sizga aytaman, bu juda u uzoq vaqtdan beri ekranda ko'rmagan narsamiz bor, u sehrgar. U femme fatale. "[44]

O'sha yili Dunaway televizion moslashuvda paydo bo'ldi Kuzdan keyin bilan Kristofer Plummer. U bosh rolni o'ynadi, bu uning uchun "xuddi tush kabi ro'yobga chiqdi. Bonni singari men ham bu hududni yaxshi bilardim. Maggi (uning fe'l-atvori) butunlay yarador ruh, noto'g'ri tomonda o'sgan qiz edi. treklar. "[45] Keyin u o'ynadi Pol Nyuman Yulduzli ofat eposidagi bir necha yuzlab odamlar bilan birga yonib turgan osmono'par binoda qamalib qolgan kelini, Towering Inferno (1974). Ushbu film yilning eng yuqori daromad keltiradigan filmiga aylandi va Danaveyni Gollivudning eng yaxshi aktrisasi sifatida yanada mustahkamladi. Bundan tashqari, 1974 yilda Dunaway turmushga chiqdi Piter Bo'ri, rok guruhining bosh qo'shiqchisi J. Geils guruhi. Bu vaqtda u o'zini "ishning doimiy va qattiq bosimidan charchaganini" his qildi va so'nggi daqiqada Shamol va Arslon (1975), unda u kostar bo'lishi kerak edi Shon Konneri, uning oilaviy hayotiga e'tibor qaratish.[46]

Uning keyingi xususiyati shu edi Sidney Pollack siyosiy triller, Uch kunlik kondor (1975). Uning xarakterini Markaziy razvedka boshqarmasi tahlilchisi garovda tutishi kerak edi Robert Redford va Dunawaydan uni zo'rlashidan qo'rqishini talab qilishgan. Biroq, u tortishish paytida kulishni buzmaslikda qiynaldi, chunki "Robert Redford tomonidan o'g'irlab ketilishi va buzilishi g'oyasi qo'rqinchli edi".[47] Film tanqidiy va tijorat yutug'i bilan yakunlandi va tanqidchilar tomonidan yuqori baholangan Dunawayning ijrosi unga beshinchi "Oltin globus" nominatsiyasini qo'lga kiritdi. Rojer Ebert filmni ko'rib chiqishda o'zining obrazini "terishning o'zi" deb atadi va shunday dedi: "U uyni yiqitadigan uchta satrli dialogga ega. Ular birdaniga odobsiz va kulgili va achchiq odam, va Dunaway ularni ajoyib tarzda etkazib beradi. "[48] Dunaway aktyorlikdan tanaffus oldi va deyarli bir yil davomida loyihalarni rad etdi.[49] U rol o'ynadi Alfred Xitkok yakuniy filmi, hajviy triller Oilaviy uchastka, keyinchalik u afsuslandi.[Iqtibos kerak] 1976 yilda ekranga qaytib keldi Holokost drama La'natlanganlarning sayohati. Hikoya taqdiri bilan bog'liq haqiqiy voqealardan ilhomlangan XONIMSent-Luis okean kemasi ko'tarish Yahudiy Germaniyadan qochqinlar Kuba 1939 yilda.[Iqtibos kerak]

Dunawayning Oskar mukofoti Tarmoq

O'sha yili Dunaway paydo bo'ldi Peddi Chayefskiy -ssenariy satira Tarmoq hiyla-nayrangli televizion ijrochi Diana Kristensen, shafqatsiz ayol, u yuqori reyting uchun hamma narsani qiladi. U ssenariyni juda yaxshi ko'rar edi va keyinchalik bu "men ssenariyga tegmaganligim sababli men qilgan yagona film" deb aytdi. U o'z eri Piter Vulf va uning ishonchli odami Uilyam Alfredning e'tirozlari ustidan g'amxo'rlik qildi, u Kristensenni o'ta yuraksiz deb bilar edi va odamlar uni xarakter bilan aralashtirib yuborishidan xavotirda edilar.[50] Biroq, Danauey bu "yillar davomida yuzaga keladigan eng muhim ayol rollaridan biri" deb hisoblar va Chayevskiyning kontseptsiyasi va rejissyori bilan birga yurgan. Sidney Lumet unga hech qanday yig'lamaslik yoki yumshoqlik bilan yashirincha kirishga ruxsat berilmasligi va agar shunday bo'lsa, u chiqib ketish xonasi polida qolishi haqida ogohlantirish.[50]

O'z vaqtida muvaffaqiyatli bo'lgan film, bugungi kunda televizion sohani deyarli bashorat qilganligi sababli tez-tez muhokama qilinmoqda. Dunawayning ijrosi maqtandi, bilan Vinsent Kanbi ning The New York Times u "xususan, ta'sirchan va kulgili ayolni psixopatik ambitsiyalar va hissiyotlarga ega ayolga aylantirishda muvaffaqiyat qozonmoqda".[51] Dunawayning chiqishi Tarmoq uning ko'plab mukofotlariga sazovor bo'ldi. U Kanzas Siti kino tanqidchilarining eng yaxshi aktrisasi deb topildi va u oltinchi mukofotini oldi Oltin globus uchun nomzod Tarmoq va taqdirlandi Filmning eng yaxshi aktrisasi - Drama. 1977 yil boshida Oskar mukofotlari nomzod Tarmoq o'nta mukofot uchun, uchinchi o'rinda Dunaway g'olib bo'lgan Eng yaxshi aktrisa nomzodlik.

Men ismimni eshitgan onni va tuyg'uni hech qachon unutmayman. Bu shubhasiz mening hayotimdagi eng ajoyib kechalardan biri edi. Oskar mening bolaligimdan beri kurashgan va orzu qilgan narsalar timsoli edi. Ushbu maqtovga sazovor bo'lish uchun hissiy shoshqaloqlik, ushbu soha sizga bera oladigan eng yuqori daraja, xuddi bomba kabi meni urish. Bu men aktrisa sifatida istayman deb o'ylagan hamma narsaning ramzi edi.[52]

— Faye Dunaway

1976 yilda, Dunaway televizor uchun yaratilgan filmda bosh rolni ijro etdi, Amining yo'qolishi, u bilan birga rol o'ynagan Bette Devis. Oskar mukofotini qo'lga kiritgandan so'ng, Dunaway shaxsiy hayotini aniqlash uchun aktyorlikdan yana tanaffus oldi.[53] Uning nikohi buzila boshlagach, u ingliz fotografi bilan munosabatlarni boshladi Terri O'Nil eng mashhur rasmlaridan birini suratga olgan, Ertalab, Dunaway hovuz bo'yida Beverli Hills mehmonxonasi marosimidan keyin ertalab u bilan Oskar bilan.[54] 1978 yilda Dunaway ekranga qaytdi Irvin Kershner triller Laura Marsning ko'zlari, odamlarni o'ldirayotgan qotil haqidagi tasavvurlarni ko'rgan moda fotografi haqida. Film kassada muvaffaqiyat qozondi va Dunaway o'zining ishlashi uchun ijobiy sharhlarni oldi Janet Maslin uchun yozish The New York Times uning "roli uchun mukammal" ekanligi.[55] U yordamchi rollarda o'ynagan Champ (1979), chunki film unga "men hayotimda bo'lishni xohlagan joyimda bo'lgan" onaning rolini o'ynash imkoniyatini taqdim etdi.[56] va Birinchi o'lik gunoh (1980), u bilan ishlashni xohlaganidek Frank Sinatra.[57] 1981 yilda Dunaway bosh rolni o'ynadi Evita Peron, televizor kichkintoylar mashhurlarning hayotiga asoslangan Argentinaning birinchi xonimi.

Dunaway o'zining Joan Krouford rolini ijro etgani uchun juda yaxshi baholarga sazovor bo'ldi Mommie Azizim ammo keyinchalik filmni karerasiga zarar etkazganlikda aybladi.
Haqiqiy Joan Krouford. Dunaway to'plamda yurganida Mommie Azizim Krouford bilan ishlagan ba'zi odamlar bu belgi sifatida birinchi marta "bu Jo'anning o'zini o'likdan qaytganini ko'rishga o'xshardi", deb aytishdi.[58]

O'sha yili Dunaway aktrisaning obrazini yaratdi Joan Krouford qizining moslashuvida Kristina munozarali xotiralar, Mommie Azizim u o'z asrab olgan onasini shafqatsiz zolim sifatida tasvirlagan, u o'zining to'rtta bolasini aktyorlik karerasini ko'tarish uchun qabul qilgan va taniqli odamlarning birinchi kitobi sifatida katta shov-shuvga sabab bo'lgan. Dunaway prodyuser bilan uchrashgandan so'ng rolni qabul qildi Frank Yablans va rejissyor Frenk Perri, ikkalasi ham uni Joan Kroufordning haqiqiy hikoyasini emas, balki uning hayotining tabloyid versiyasini aytib berishni xohlashlariga ishontirdilar. "Kristinaning kitobi, shubhasiz, ekspluatatsiya kitobi bo'lgan bo'lsa-da, uning birinchi kitobi edi, mening vazifam ayolni tasvirlash edi, u to'laqonli ayol, u nafaqat bir tomondan, balki u har tomonlama edi. Men bu ayol kimligini yoritishga harakat qildim. Ammo bu shunchaki g'azablanish bilan emas, balki unga putur etkazgan kuchlarni tekshirish va kashf etishga urinish edi. "[59] Rolni o'ynash uchun Dunaway Kroufordning filmlarini o'rganib chiqdi va uning ko'plab do'stlari va hamkasblari bilan uchrashdi, shu jumladan rejissyor Jorj Kukor. Suratga olish u uchun qiyin kechdi, chunki u deyarli hech qachon xarakterdan tashqarida bo'lmagan. "Agar sizning fikringiz o'lik ayolga tegishli bo'lsa va siz u kimligini bilib, uning yonida to'g'ri ish tutmoqchi bo'lsangiz, siz o'zingizni his qilasiz. Men buni ba'zida kechalari uyda his qildim. Bu yoqimli emas edi. Men Joan tinchlanmaganini his qildi. "[3] Shuhrat qozongan simlarni osib qo'yishdan keyin, Danauey baqir-chaqirdan shunchalik xirillagan ediki, u ovozini yo'qotdi. Frank Sinatra uni haydab olib, tomoq mutaxassisiga murojaat qildi va uning ovozini qanday saqlab qolish bo'yicha o'z maslahatlari bilan o'rtoqlashdi.[60]

Film 1981 yilda ochilgan va salbiy sharhlarga qaramay tijorat muvaffaqiyatiga erishgan. Dunawayning g'ayritabiiy ijrosi Nyu-York kinoshunoslari doiralari mukofotlari va Milliy kinoshunoslar milliy jamiyati mukofotlari tomonidan eng yaxshi aktrisa nominatsiyasida ikkita nominatsiyani qo'lga kiritdi va tanqidchilar tomonidan maqtovga sazovor bo'ldi. Janet Maslin, filmni nomuvofiq deb hisoblagan holda, Danauining ijrosi "kichik mo''jiza" ekanligini yozdi va uning g'ayratini va rolga sodiqligini yuqori baholadi.[61] Tez-tez qattiq Pauline Kael u aktrisa sifatida yangi cho'qqilarni zabt etganligini va Dnauey uchun Krouford rolini ijro etish qiyin bo'lishini taxmin qilgan holda, Deynveyning ijrosi to'g'risida hayratda qoldirdi. Vinsent Kanbi deb yozib, Dannueyni maqtagan "Mommie Azizim unchalik yaxshi ishlamaydi, lekin Faye Danauining o'zini taqlid qilishning shafqatsiz intensivligi, xuddi filmning nuqtai nazari kabi, Joan Kroufordni ayolni onasi eslaganidan ko'ra ancha murakkab, o'zini o'zi anglaydigan va chuqurroq bezovta qiladigan ayolga aylantirishga muvaffaq bo'ldi. Kristina Kroufordning kitobida. "[62] Rejissor Sidni Lumet "bu ajoyib, g'ayrioddiy spektakl. U o'zi keltirgan yovuzlikning jasorati, menimcha, bu shunchaki asosiy aktyorlik". Garchi bu film o'zining mashhur qahramonlaridan biri bo'lgan kult-klassga aylangan bo'lsa-da, Danauey "bu qiynoqqa solingan qalbga oyna bo'lishi kerak edi. Ammo u lagerga aylantirildi" deb hisoblaganligi uchun Kroufordda o'ynaganidan afsuslanishini bildirdi.[63] Shuningdek, u filmni karerasiga ziyon etkazganlikda aybladi va keyinchalik uni intervyuda muhokama qilishga deyarli hech qachon rozi bo'lmagan.

Men sizning hayotingiz borligini bilaman va siz ko'p rollarda o'ynaysiz. Ammo keyin Mommie Azizim, mening shaxsiy xususiyatim va boshqa barcha rollarim xotirasi jamoat va Gollivuddagi ko'pchilik ongida yo'lda yo'qoldi. Bu spektakl edi. Hammasi shu edi. Yaxshi yoki yomon bo'lsin, biz o'ynagan rollar bizning personajimizning bir qismiga aylanadi va aktrisa va ayol ushbu persona bilan aniqlanadi. Odamlar meni unga o'xshagan deb o'ylashdi. Va bu men uchun ushbu loyiha haqida baxtsiz haqiqat edi.[64]

— Faye Dunaway

Film, televidenie va teatr, 1982-1999

1982 yilda Dunaway televizion moslashuvida paydo bo'ldi Klifford Odets dramatik o'yin Qishloq qizi yuvilgan alkogolli qo'shiqchining xotini o'ynagan Dik Van Deyk U keyinchalik uni "dunyodagi eng yoqimli va eng kulgili odamlardan biri" deb ta'riflagan, ammo "Garchi bu bizning barcha jasoratli harakatlarimiz edi va men yaxshi va haqiqat deb o'ylagan daqiqalar bo'lgan bo'lsa ham, remeyk bizning hayotimizga etib bormadi Ammo umid qilamanki, asl nusxasi. Ammo buni amalga oshirish bu aktyorlik ishini yaxshi ko'rganimni eslatishga yordam berdi, chunki Krouford filmi meni unutishga majbur qilgan edi. "[64] O'sha yili u Nyu-York sahnasiga Uilyam Alfredning ikkinchi teatr loyihasi bilan qaytdi, Achchiq yurakning la'nati. Keyinchalik u o'z rolida o'zini noto'g'ri tutganini sezdi: "Bu men uchun biroz yulduzcha og'ir edi. Spektakl eng sodda ayollar bilan yaxshi bo'lar edi."[65] Bu haqda uning turli xil his-tuyg'ulariga qaramay, uning ijrosi tanqidchilar tomonidan yaxshi baholarga sazovor bo'ldi Frank Boy uchun yozish The New York Times "Miss Danauining teatrda yo'qligi uning sahna texnikasini susaytirgani yo'q. U odatda qo'mondon".[66]

Dunaway uchun mos keladigan peruk paytida Yovuz xonim 1982 yilda

Shu vaqt ichida Dunaway 1983 yilda turmushga chiqqan sherigi Terri O'Nill bilan Angliyaga ko'chib o'tdi va turmush qurgan hayoti bilan ko'proq qiziqib, faqat o'zi uchun qulay ish bilan shug'ullandi. O'sha yili u ekranga qaytdi Maykl G'olib davri melodramasi Yovuz xonim, unda u 18-asrda avtomagistral qaroqchisini o'ynagan. Film juda muhim va tijorat jihatdan muvaffaqiyatsizlikka uchragan. "Garchi men hunarmandchilikni yaxshi ko'rsam ham Yovuz xonim, oxir-oqibat u shunchaki xit bo'lishi kerak bo'lgan sharbatga ega emas edi. Farsmi yoki drama bo'ladimi, hech qachon aniq qaror qilgandek tuyulmasdi va shuning uchun ham bo'lmadi. "[67]

1984 yilda Dunaway super qahramon filmidagi bosh qahramon rolini o'ynadi Supergirl. U "film haqiqatan ham shunchaki jo'natish, aldov edi va men Selena (uning xarakteri) bilan juda xursand bo'ldim" deb his qildi.[68] ammo keyinchalik u direktordan g'azablanganini tan oldi Janot Shvarts, "Men har safar biron bir kulgili narsa qilishga urinsam ham, u menga ruxsat bermadi." Siz to'g'ri odam bo'lishingiz kerak "dedi. Men har doim komediya qilishni xohlardim, lekin siz ilgari bunday qilmaganingizda dahshatli. "[43] Shuningdek, 1984 yilda Dunaway televizion mini-seriallarda paydo bo'ldi, Ellis oroli unga ikkinchi Oltin Globus mukofotiga sazovor bo'ldi Eng yaxshi ikkinchi darajali aktrisa - seriallar, mini-seriallar yoki televizion filmlar. Keyingi yil u miniseriyalarda rol o'ynadi, Xristofor Kolumb. U ikkitadan paydo bo'ldi Agata Kristi moslashuvlar, Mas'uliyatsiz sinov va Kechki ovqatda o'n uch (bu televizor uchun qilingan). Garchi bu asar ishtirok etgan bo'lsa-da, Danavey Angliyada shu davrda badiiy jihatdan barkamol rollarni topishga qiynalgan. "Men filmlar o'tkazishni sog'indim. Televizion ssenariylar ingichka edi. Ularni va a-ni taqqoslash mumkin emas Chinatown skript. "[68] "Men Angliyada barqaror ishlagan bo'lsam-da, go'yo butunlay yo'q bo'lib ketgandek bo'ldim. Men tezda ko'rinmas bo'lib qoldim. Men o'zimning martabam u erda o'rnatilgan loyihalar bilan cheklanib, cheklanib borayotganini tobora ko'proq his qilar edim."[69] 1987 yilda O'Nil bilan ajrashganidan so'ng, Dunaway Qo'shma Shtatlarga qaytib keldi va bir nechta mustaqil dramalarda ishtirok etib, karerasini tiklashga urindi.

Dunaway aksincha alkogolli sifatida ishlashi uchun maqtovga sazovor bo'ldi Mikki Rurk yilda Barbet Shreder dramaturgiya Barfly (1987). Tomonidan yozilgan roman asosida Charlz Bukovskiy, film u uchun juda muhim edi, chunki keyinchalik u shunday tushuntirdi: "Kecha va tunlarini shishaga topshirgan bu belgi mening nurga qaytishim yo'lidir. Bu rol men uchun juda muhimdir. Belgilarga bo'lgan ehtirosni o'sha paytdan beri his qildim Tarmoq. Men o'zimga qaytish va'dasini shirin zaiflikdagi ayolning taniqli yuzida ko'rdim. "[70] Film kassada kichik muvaffaqiyatga erishdi, ammo tanqidchilar tomonidan juda yaxshi tanqidlarga sazovor bo'ldi va Dunaway o'zining "Oltin globus" mukofotining oltinchi eng yaxshi aktrisa - Kinofilm dramasi nominatsiyasini qo'lga kiritdi. Pauline Kael "Dunaway o'zini buzadigan Wandani minimal shov-shuv bilan o'ynaydi ... u o'zining effektlarining soddaligi bilan sizning hayratingizga sazovor bo'ladi" deb yozgan va Rojer Ebert ikkala Rourke va Dunaway "o'zlarining belgilarini cho'zish uchun imkoniyat sifatida qabul qilishgan" deb o'ylagan. aktyorlar, o'zgarishlarni amalga oshirish va haddan tashqari narsalar qilish ".[71] Keyin Barfly, uning sevimli filmlaridan biri bo'lib qolgan Dunaway tanlagan rollari haqida ehtiyotkorlik bilan harakat qildi, lekin o'zini va bolasini boqish uchun ishlashi kerak bo'lgan haqiqatga ham duch keldi.[72]

1988 yilda Dunaway

1988 yilda u davriy dramada paydo bo'ldi Gamble ammo bu tajribaning eng yaxshi tomoni uning hamkasbi bilan uchrashish bo'lganini his qildim Metyu Modin.[73] Keyingi yil u televizor uchun moslashtirilgan filmni yaratdi va rol o'ynadi Zaytun Enn Berns "tarixiy roman Sovuq Sassi daraxti. Dunaway birgalikda rol ijro etgan Richard Vidmark va Nil Patrik Xarris u shaharning noroziligiga uylangan yosh bola va uning bobosining hayotini engillashtiradigan sehrli kiyim tikuvchisi sifatida. Film efirga uzatildi TNT katta muvaffaqiyatga erishdi va Dunawayning sevimli tajribalaridan biriga aylandi. "Nima berdi Sovuq Sassi uning yuragi aloqador odamlar edi. Bu aql bovar qilmaydigan hamkorlik edi va men natija kabi tajribani juda qadrlayman va bundan juda faxrlanaman. "[74] O'sha yili u ishtirok etishga rozi bo'ldi Bahorgacha kuting, Bandini bilan Djo Mantegna yaxshilik sifatida Tom Luddi, kim ishlab chiqargan Barfly.[73] Shuningdek, 1989 yilda u italyan dramasida paydo bo'ldi Kristal yoki kul, olov yoki shamol, bu muhabbat ekan u direktor bilan ishlashni xohlaganidek Lina Vertmuller.[73] 1990 yilda u yana birlashdi Robert Duvall, u bilan birga rol o'ynagan Tarmoq, yilda Volker Schlöndorff ning moslashuvi Margaret Atvud shu nomdagi roman, Xizmatkorning ertagi. Film kassada yaxshi chiqmadi, ammo Danauining ijrosi unga yaxshi baho berildi. Rojer Ebert shunday deb yozgan edi: "Dyuval va Danauey filmdagi eng yaxshi daqiqalarni taqdim etadi, u erkak libidoning ongsiz xudbinligini ko'rsatib, har doim va har qanday ob-havoda ba'zi turdagi ayollar o'z baxtlarini darajaga qarab baholashini ko'rsatib bunga ularning oilasining tashqi qiyofasi jamiyatning qabul qilingan qadriyatlariga mos keladi. "[75]

Ikki chekka (1992) isroillik rejissyor, yozuvchi va aktyor tomonidan Amos Kollek unga o'ynashni xohlagan rolni taklif qildi, a Nyu-York Tayms uch hafta davomida Quddusga jo'natilgan muxbir Isroil-Falastin ziddiyat. Bularning barchasi kichikroq filmlar edi, ular hech qachon ommaviy tomoshabinlar e'tiborini jalb qila olmaydi. Keyingi yil Dunaway trillerda ikkinchi darajali rolni qabul qildi Harorat, chunki u loyihaning asosiy shov-shuvga aylanish imkoniyatiga ega ekanligini his qildi va unga ko'proq auditoriya bilan bog'lanish uchun imkoniyat bo'ldi.[76]Film juda muhim va tijorat jihatdan muvaffaqiyatsizlikka uchragan. Chiqarilishidan to'rt hafta oldin Paramount so'nggi sahnani qayta suratga olishga qaror qildi, bu Dannueyning noroziligiga sabab bo'ldi, chunki uning fe'l-atvori qotilga aylantirilishi kerak edi. "Yana bir bor o'zimni ekstremal o'ynashga tashlaganimni ko'rdim - dastlab Diana an'analarida qanday belgi sifatida o'ylangan Tarmoq yuqori porloq ayol ijrochi / qirg'ichga aylantirildi. Biroq, yangi tugatish filmni qutqarish uchun etarli emas edi. Oxirgi sahnada, qotil kim bo'lishining ahamiyati yo'q edi, film kamida bir soat o'lik edi. "[77] Bundan tashqari, 1993 yilda Dunaway sifatida rol o'ynagan Jonni Depp sevgiga bo'lgan qiziqish Emir Kusturica "s syurrealist komediya-drama Arizona orzusi. U uchadigan apparatni yaratishni orzu qiladigan ayolning rolini o'ynagan film Evropada premeraga juda katta e'tirof etildi va filmni oldi Kumush ayiq - hakamlarning maxsus mukofoti da Berlin xalqaro kinofestivali. Danauey filmdan juda g'ururlanib, uning roli o'z karerasini har qachongidan ham yuqori cho'qqilarga ko'tarishi mumkinligiga ishongan. Biroq, Warner Bros. Kusturitsaning filmini qayta tahrirlashga, uni o'zgartirishga va o'zgartirishga saylandi. Dunaway o'zining eng yaxshi sahnalari Amerika versiyasidan tashqarida qolganini ko'rib, xafa bo'ldi. Warner Bros. filmni 1994 yilda Qo'shma Shtatlarda ijobiy sharhlar bilan chiqardi, ammo juda oz kassa.

Dunaway 1994 yilda

That same year, Dunaway was cast in the short-lived CBS sitcom, Siz bo'lishingiz kerak edi. Around that time, she was contacted by NBC who wanted her to take on the role of a female sleuth, more in the vein of Kolumbo dan Qotillik, u yozgan. As the prospective series was being developed, Dunaway contacted Kolumbo Yulduz Piter Falk, wanting his advice on how to approach playing a sleuth character. While discussing the role, Falk told Dunaway about a Kolumbo script that he had written himself. Hammasi O'yinda featured a seductive woman who plays a game of cat-and-mouse with Lt. Columbo in the midst of a murder. Falk had written the script some years prior, saying that he could not find the right actress to take on the role. He offered her the role, and Dunaway accepted immediately. The 1993 TV movie proved a success, nominated for several Golden Globe and Emmi mukofotlari. Dunaway was recognized with the Drama turkumidagi eng yaxshi mehmon aktrisasi uchun "Primetime Emmy" mukofoti, saying it was that moment when she felt like she was truly home. "I was overwhelmed by the generosity of spirit my colleagues extended me that night. It was like being wrapped up in a warm embrace. Though this is more often than not a town of grand illusions and transitory friendships, the moment seemed heartfelt, and touched me deeply."[78]

With the prospective detective show not working out, Dunaway became interested in returning to the stage. She auditioned to replace Glenn Yoping musiqiy asarda Quyosh botishi bulvari, a stage version of 1950 film of the same name. The composer and producer Endryu Lloyd Uebber cast Dunaway in the famed role of Norma Desmond, and Dunaway began rehearsing to take over the LA engagement when Close moved the show to Broadway.[79] Tickets went on sale for Dunaway's engagement, but shortly after the rehearsals started, Webber and his associates announced that Dunaway was unable to sing to their desired standards. They announced that when Close finished her engagement, the show would shut down completely.[80] Dunaway filed a lawsuit, claiming that Webber had damaged her reputation with his claims.[81] The case went to court and a settlement was later reached, but Dunaway and the producers have not discussed it.[82]In 1995, Dunaway reunited with Johnny Depp in the romantic comedy Don Xuan DeMarko, in which she played Marlon Brando xotini. A hit at the box office, the film was praised for its romance and the performances of the three main characters. That same year, Dunaway published Getsbini qidiryapman, a memoir she co-wrote with Betsy Sharkey, which earned her great reviews. Mark Xarris ning Ko'ngilochar haftalik wrote in his review of the book that "to read her accounts of her Oscar-nominated performances as the taut, sexy, neurotic femmes fatales of Bonni va Klayd, Chinatownva Tarmoq is to learn from an expert about the instincts, collaborations, and compromises that go into great film acting".[83]

Dunaway in 1996

The following year, Dunaway was awarded a star on the Gollivudning Shon-sharaf xiyoboni and starred in the family comedy Dunston chexlar, jinoyatlar haqidagi triller Palata uni o'zi bilan birlashtirdi Bonni va Klayd birgalikda yulduz Gen Hackman, and the directorial debut of actor Kevin Speysi, Albino Alligator. Also in 1996, Dunaway returned to the stage, playing famed opera singer Mariya Kallas in the U.S. national tour of the Toni mukofoti g'olib o'yin Master-klass tomonidan Terrence McNally. Callas was one of Dunaway's favorite characters she ever played. "That woman changed an art form, and not many people can say that. Callas is to opera what Fellini is to cinema."[43] Similarities were made by the press between the career and personalities of Callas and Dunaway as both were seen as perfectionists whose run-ins with directors had them castigated as prima donnas. "I think the play is really about what it takes to do something in life, and its original in that, because there's not a play I know of that has been written about that. This is about an uncompromising artist and a professional who will stop at almost nothing to serve the art that she loves. She said it over and over again in many of her interviews: "It's not a question of discipline, it's a question of love, of what you do out of the passion for your art." And she's right. She was all about feeling —‌ that's why I love this role so much."[84] The tour was a great success and earned Dunaway rave reviews for her performance, as well as the Sarah Siddons Award.[85]

Her performance as the matron of a wealthy Jewish family in turmoil in the drama Oltinlarning alacakaranlığı (1997) earned her a Screen Actors Guild Award nomination for Outstanding Performance by a Female Actor in a TV Movie or Miniseries. In 1998, she starred with Anjelina Joli yilda Gia, a biographical film about the rise and fall of supermodel Gia Carangi. Playing the small but key role of Carangi's agent, Dunaway was well reviewed and won her third Golden Globe Award, for Eng yaxshi ikkinchi darajali aktrisa - seriallar, mini-seriallar yoki televidenie. The following year, Dunaway appeared in the qayta tuzish ning Tomas Crown ishi, and Roger Ebert argued in his review of the film that she "had more electricity in 1968 and still does" compared to actress Rene Russo who was cast in her original role.[86] Also in 1999, Dunaway portrayed Aragonning Yolande yilda Lyuk Besson tarixiy drama Xabarchi: Joan Arkning hikoyasi.

Independent films and break, 2000–2015

Dunaway at the 2001 Cannes Film Festival

In 2000, Dunaway appeared in the Jeyms Grey - yo'naltirilgan jinoyat filmi Hovlilar kabi Charlize Theron onasi. Although failing to perform at the box office, the film was received with positive reviews. That same year, she turned down the opportunity to play a drug addict in Tush uchun rekvizit va rol o'ynadi Ellen Burstin, who received an Academy Award nomination for her performance.[87] In 2001, Dunaway's role in Yugurayotgan juftlar earned her a Golden Globe nomination for Best Supporting Actress in a Series, Miniseries or Television Film. 2002 yilda u o'ynadi Yan Somerhalder 's rich Xanax-popping mother in Rojer Avari "s moslashish ning Bret Easton Ellis "roman, Jozibadorlik qoidalari. She served as a judge on the 2005 realiti-shou Yulduzcha, which sought, American Idol -style, to find the next young actress with the potential to become a major star.[88] In 2006, Dunaway guest-starred in one episode of the crime drama CSI: Jinoyatchilik voqealarini tekshirish because she was a huge fan of the show. U shuningdek paydo bo'ldi Bir farishta tomonidan tegdi, Taxalluslar va Grey anatomiyasi. In 2008, Dunaway agreed to star in a low-budget Welsh horror film, Siltang, for a fraction of her usual $1million fee after falling in love with the script. She called the writer and director David Howard personally to accept the part of a one-armed American detective, saying it was "a really original story".[89] Filmning premerasi Raindance kinofestivali. That same year, she criticized Hollywood's treatment of older women, saying: "I am furious that they think I'm too old to play the love interest of guys like Jack Nicholson and Clint Eastwood. Why should I play sisters and mothers while guys like Jack and Clint, who are older than me, have on-screen lovers half their age?"[90]

In 2009, Dunaway began shooting a film version of the McNally play Master-klass, starring herself as Mariya Kallas, Al Pacino (kabi Aristotel Onassis ), Val Kilmer, Alan Cumming, her son Liam Dunaway O'Neill and lyric soprano Danielle de Niese (the latter two as opera students). As film roles became more difficult to find, Dunaway bought the rights to the play after the 1997 tour and announced her intention of writing, directing and starring in the film. The production however was a disaster and financing the project has been one of the many obstacles. "I want to do it my way. I'm not going to sell it out to a studio. You have to raise money. You have to get private investors and it takes a long time to get it right. It takes 10 years. People hear Faye Dunaway and think she has a lot of money, but I don't because I've spent a lot. Not tonnes. I spent what I want to spend on this movie and you have to have skin in this game. You have to take risks."[43] In 2013, she confirmed that she had completed the first half of the film and planned to shoot the rest soon after. However, it was announced in June 2014 that after nearly 20 years of owning the film rights, Dunaway had decided to withdraw from the project.[91]

In 2011, a photo of Dunaway taken by Jerry Schatzberg in 1970 was chosen as the 64th annual Cannes Film Festival poster backdrop. The festival organizers described it as a "Model of sophistication and timeless elegance, it is an embodiment of the cinematic dream that the Festival de Cannes seeks to maintain".[29] During the festival, Dunaway and Schatzberg appeared at a special screening of Yiqilgan bolaning jumbagi, earning a standing ovation upon their entrance. In 2013, Dunaway was the first recipient of the Leopard Club Award and made a rare personal appearance at the Lokarno xalqaro kinofestivali mukofotni qabul qilish.[92] In 2014, Dunaway was recognized as the guest of honor by the Lumière Film Festival. Organizers praised the "immense contribution she has made to the emergence of the independent American films of the sixties and seventies, and the contribution is of the highest caliber".[93] Her attendance at the festival was described as an "exceptional event". Dunaway received a standing ovation by a crowd of 5,000, and declared in an emotional speech following the tribute she received, "My fans and my friends have supported me in this search for all these years, and I thank you from all of my heart, and without you, I would not be the same Faye Dunaway."[94] Also in 2014, Dunaway had to pull out of a French drama called Macadam hikoyalari, in which she was going to play the lead, due to health issues, and was replaced by Izabel Xuppert.[95] The following year, it was announced that Dunaway was writing a book about her experiences making Mommie Azizim but the project never materialized.[96]

Return to film and theatre, 2016–present

In 2016, Dunaway made a rare public appearance at the TCM Classic Film Festival where she hosted a screening of Tarmoq and also joined in conversation with Ben Mankievich for a Q&A session in which she discussed her decades-spanning career.[97] Although she stated in a 2013 interview she felt her acting career was "pretty much over", Dunaway told Mankiewicz she had no intention to retire: "We live for work. We live for what we do. I just want to keep working. It's where I'm happiest."[43][98] That same year, she was cast in a supporting in the second season of Xudoning qo'li but was ultimately replaced by Linda Grey due to "some scheduling conflicts and some other issues" according to Ben Watkins, creator of the show. Also in 2016, Dunaway guest-starred as herself in the season finale of season two of the mockumentary series Documentary Now!.[99] In 2017, Dunaway returned to acting with a cameo role in the horror-thriller Xayr, xayr odam,[100] a small part in the Christian drama Masih uchun ish and a supporting role in the psychological thriller Aqlsiz, also starring Nikolas Keyj va Jina Gershon.[101][102] Tanqidchi Frank Scheck ning Hollywood Reporter found "distressing that Dunaway can't find more dignified projects at this point in her estimable career".[103]

Dunaway at the 2017 Oscars

Also in 2017, Dunaway reunited with her Bonni va Klayd birgalikda yulduz Uorren Bitti da 89-chi Oskar mukofotlari, filmning 50 yilligini nishonlashda. Tomonidan taqdim etilganidan keyin Jimmi Kimmel, they were given a standing ovation as they walked out onto the stage to present the Eng yaxshi rasm mukofoti. They were given the wrong envelope and Dunaway incorrectly announced La La Land haqiqiy g'olib o'rniga eng yaxshi film sifatida, Oy nuri.[104][105] Bu butun dunyo bo'ylab trendga aylanib, ijtimoiy media sensatsiyasiga aylandi.[106] Dunaway was left "completely stunned" when Oscars crew members came on stage to explain that there had been a mistake and later said she felt "very guilty" about the incident, describing it as "one of the worst moments I've ever had".[101][107][108] That same year, Dunaway was honored at the Dallas xalqaro kinofestivali where she was presented with the Dallas Star Award.[109] In 2018, Dunaway and Beatty returned to present Best Picture at the 90-chi Oskar mukofotlari, ularning kirish joyida qarsak chalib, o'tgan yilgi klub haqida hazil qilishdi.[110]

In 2019, more than thirty years since her performance in The Curse of the Aching Heart, Dunaway planned to return to Broadway with an updated version of Matthew Lombardo's one-woman play Beshdagi choy, which was first staged at Hartford Stage in 2002.[111][112] She would portray Katarin Xepbern being particularly drawn to the complexities of the play and the character, saying, "Hepburn was a brilliant actress. Her aura on screen was unique. That, coupled with the wide array of roles she played, made her an inspiration to me and many others. She had a lot of class, too, and the innate ability to project intelligence, both on and off screen. You can't help but want to explore that and learn more about her."[113] The three week try-out in Boston met critical appreciation: Patti Hartigan of Boston Globe felt that Dunaway gave a "bravura performance" and wrote that she "inhabits the role and goes beyond mere mimicry. Of course, she captures The Voice – waspy, reedy, patrician – but she also brings a mix of fragility and strength to the role, maintaining the straight spine but also letting that stiff upper lip quiver ever so slightly when grief overtakes her."[114] Christopher Caggiano of San'at sug'urtasi gave the play a mixed review but praised Dunaway, writing that she "does manage to remind us why, despite her relative absence from the stage and the screen in the last 30 years, she remains a Hollywood legend. She has a palpable emotional intensity, and gives you the sense that entire scenes are playing out behind her eyes as part of her backstory. She's a legend for a reason."[115]Beshdagi choy was pitched to be her triumphant return to Broadway. However, following three weeks at the Huntington Theatre Company yilda Boston, Dunaway was released from the play, reportedly due to altercations between her and crewmembers.[116] An assistant fired by Dunaway filed a lawsuit against the actress in August 2019 alleging homophobic verbal harassment.[117]

Dunaway will next appear in Visseral, rejissyorlik qilgan film Frederik Jardin shuningdek, bosh rollarda Jorjina Kempbell.[118]

Meros va ta'sir

Dunaway is regarded as one of the greatest and most beautiful actresses of her generation, as well as a powerful emblem of the Yangi Gollivud.[15][20][63] Joan Krouford praised Dunaway in her 1971 book, Mening hayotim. "Of all the actresses, to me, only Faye Dunaway has the talent and the class and the courage it takes to make a real star."[119] Direktor Jon Xuston, who played Dunaway's father in Chinatown, stated in a 1985 interview that he found her to be "quite extraordinary".[120] Robert Evans, who produced Chinatown, also described her as "extraordinary", and affirmed that "no one could've played her part as well".[121] Stiven Rebello ning Movieline wrote in a 2002 article, "Though fiercely modern, an ideal female analog for screen machos like Steve McQueen and the young Jack Nicholson, she also radiated the stuff vintage movie stars are made of. Any actress today would be lucky to have a fraction of her films on her resume."[87]

Kann kinofestivali badiiy rahbari Thierry Fremaux said, "She has one of the most wonderful filmographies of any actress. Look at her movies from the '70s for example – she only made good choices. She's had an incredible career."[122] Through her career, Dunaway worked with many of the 20th century's greatest directors—Elia Kazan, Sidney Lumet, Artur Penn, Roman Polanski, Sidney Pollack va Emir Kusturica among them, and several of the films she starred in became classics. 1998 yilda Amerika kino instituti tartiblangan Bonni va Klayd, Chinatown va Tarmoq ularning ro'yxatida 100 best American movies ever made.[123] Her roles as Bonnie Parker and Joan Crawford were respectively named 32nd and 41st on the AFI's list of the fifty greatest screen characters in the villain category.[124] Elizabeth Snead wrote in her review for USA Today of Dunaway's memoirs that she was "the epitome of a modern, mature, sexy woman"[125] va Mark Xarris ning Ko'ngilochar haftalik felt that "Faye Dunaway is a rarity in the land of stars (and star bios) – a tough, smart, committed pro".[83] In 1994, Dunaway was ranked 27th by People jurnali on a list of the 50 most beautiful people and in 1997 she was ranked 65th by Empire jurnali on a list of the 100 top stars in film history.

Dunaway in 2009

Famously demanding, with an attention to detail that sometimes drove costars and directors mad, Dunaway believed she was often mistaken for being as cold and calculating as some of the women she portrayed. Her clashes with Roman Polanski on the set of Chinatown earned her a reputation for being difficult to work with. Upon the release of the film, Polanski told a reporter for Rolling Stone that he considered Dunaway "a gigantic pain in the ass", but added that he had "never known an actress to take work as seriously as she does. I tell you, she is a maniac."[39] Bette Devis described Dunaway as the worst person she had ever worked with in an interview with Jonni Karson in 1988, calling her "totally impossible", "uncooperative', and "very unprofessional".[126] Dunaway denied Davis' claims in her autobiography, writing "Watching her, all I could think of was that she seemed like someone caught in a death throe, a final scream against a fate over which no one has control. I was just the target of her blind rage at the one sin Hollywood never forgives in its leading ladies: growing old."[127]

Uning 1996 yilgi kitobida Filmlar yaratish, Sidney Lumet slammed Dunaway's reputation for being difficult as "totally untrue", and called her a "selfless, devoted, and wonderful actress".[128] Director Elia Kazan described Dunaway as "a supremely endowed, hungry, curious, bright young talent", and added: "Faye is a brilliant actress and a shy, highly-strung woman. She is intelligent, and she is strong-willed." Like Lumet, Kazan felt she was not difficult, but a perfectionist who was never satisfied. "The artist is rarely, if ever, satisfied. The artist is frequently grateful and intermittently amazed, but he or she is never satisfied. That Faye is unlikely to be satisfied with her efforts—or those with whom she works—is not a caprice; it is not the willful misbehavior of a spoiled actress: This is how artists operate."[129] Johnny Depp, who co-starred with Dunaway in Arizona Dream va Don Juan deMarco, called her a misunderstood artist. "She's just uncompromising as an actress, and I think that's a positive thing."[79] Mariya Elena Fernandez Los Anjeles Tayms wrote in a 2005 article about Dunaway that "in her case, the behavior many call 'difficult' seems clearly linked more to passions than to ego".[130] In her autobiography Getsbini qidiryapman, Dunaway confronted this reputation and described herself as a "perfectionist":

God is in the details. I want to get it right. The fact is a man can be difficult and people applaud him for trying to do a superior job. People say, 'Well gosh, he's got a lot of guts. He's a real man.' And a woman can try to get it right and she's 'a pain in the ass.' It's my nature to do really good jobs, and I would never have been successful if I hadn't.[41]

Shaxsiy hayot

In 1962, Dunaway started a romance with stand-up comedian Lenni Bryus that lasted for a year.[131] She was engaged to photographer Jerry Schatzberg 1967 yildan 1968 yilgacha.[132][133] The two remained friends and Dunaway later starred in his first film as a director, Yiqilgan bolaning jumbagi (1970). Filmni suratga olish paytida Sevishganlar uchun joy (1968), Dunaway fell in love with her co-star Marchello Mastroianni. The couple had a two-year-live-in relationship. Dunaway wanted to marry and have children, but Mastroianni, a married man, could not bear to hurt his wife and refused, despite protests from his teenage daughter Barbara and his close friend Federiko Fellini.[134] Dunaway decided to leave him and told a reporter at the time that she "gave too much. I gave things I have to save for my work".[44] She later recalled in her 1995 autobiography:

There are days when I look back on those years with Marcello and have moments of real regret. There is that one piece of me that thinks that had we married, we might be married still. It was one of our fantasies, that we would grow old together. He thought we would be like Spencer Tracy and Katharine Hepburn, a love kept secret for a lifetime. Private and only belonging to the two of us.[135]

Mastroianni later told a reporter for Odamlar 1987 yilda u Dunaway bilan bo'lgan munosabatlaridan hech qachon qutulmagan. "U men eng yaxshi ko'rgan ayol edi", dedi u. "Men uni yo'qotganim uchun har doim afsuslanaman. Men u bilan hayotimda birinchi marta yaxlit edim."[134]

In 1974, Dunaway married Piter Bo'ri, qo'shiqchi ning rok guruhi J. Geils guruhi. Their career commitments caused frequent separations and the two divorced in 1979.[3] She met her second husband, the British photographer Terry O'Neill, when he was assigned by Odamlar magazine to take pictures of Peter Wolf and of her in 1977. They married in 1983 and Dunaway credited O'Neill with being "the one person responsible for helping me grow up to womanhood and a healthy sense of myself".[3] Their child, Liam Dunaway O'Neill, was born in 1980. In 2003, despite Dunaway's earlier indications that she had given birth to Liam, Terry O'Neill revealed that their son was adopted.[136]

After the divorce from O'Neill, Dunaway dated English author Frederik Forsit. She then had a three-year relationship (1988 to 1991) with Uorren Liberfarb, Home Video president of Warner Bros.[137] Her most recent publicized romantic attachment was with Moroccan actor Bernard Montiel in the mid-1990s.[138]

Dunaway is a devout Catholic and has said that she attends morning mass regularly.[101][139] She converted in the late 1990s and, until then, was a lifelong Protestant.[3][139] In a rare interview for Harper bozori in 2016, Dunaway said she felt that "it's important to have a partner, probably," but she described herself as "a loner," and added "I kind of like to be alone and do my work and, you know, be focused on my own things."[20]

Mukofotlar va nominatsiyalar

Asosiy maqola: List of awards and nominations received by Faye Dunaway

Filmografiya

Asosiy maqola: Faye Dunaway filmography

Select filmography:

Select theatre roles:

Iqtiboslar

  1. ^ A&E Television Networks (April 2, 2014). "Faye Dunawayning tarjimai holi". Biografiya.com. Arxivlandi asl nusxasi on March 31, 2019. Olingan 2 oktyabr, 2016.
  2. ^ "Faye Dunaway Biography (1941–)". FilmReference.com. Olingan 2 oktyabr, 2016.
  3. ^ a b v d e f Lester, Peter (October 5, 1981). "Dunaway Crawford qiladi". Odamlar. Olingan 2 oktyabr, 2016.
  4. ^ 'Current Biography Yearbook, Volume 33'. H.V. Wilson Co., 1973. Original from the University of Virginia
  5. ^ Johns, Stephanie Bernardo. 'The Ethnic Almanac'. Stephanie Bernardo Johns. Doubleday, 1981 ISBN  0-385-14143-2, ISBN  978-0-385-14143-7. Page 445
  6. ^ Dunaway (1995), p. 61.
  7. ^ HB Studio bitiruvchilari
  8. ^ Dunaway (1995), p. 89.
  9. ^ Ebert, Rojer (May 12, 1967). "Bo'lmoqda". RogerEbert.com. Olingan 2 oktyabr, 2016.
  10. ^ Dunaway (1995), p. 112.
  11. ^ Dunaway (1995), p. 110.
  12. ^ Dunaway (1995), p. 116.
  13. ^ Dunaway (1995), p. 120.
  14. ^ Finstad (2006), p. 368.
  15. ^ a b McNeil, Elizabeth (September 12, 2016). "A Legend Looks Back". Odamlar: 71–74.
  16. ^ Dunaway (1995), p. 58.
  17. ^ Ebert, Rojer (1967 yil 25 sentyabr). "Bonni va Klayd". RogerEbert.com. Olingan 2 oktyabr, 2016.
  18. ^ Dunaway (1995), p. 142.
  19. ^ Dunaway (1995), p. 131.
  20. ^ a b v d Bagley, Christopher (September 20, 2016). "Faye Dunaway's Wild Ride". Harper bozori. Olingan 2 oktyabr, 2016.
  21. ^ Dunaway (1995), p. 161.
  22. ^ Dunaway (1995), p. 164.
  23. ^ Dunaway (1995), p. 189.
  24. ^ Ebert, Rojer (1969 yil 24-dekabr). "Kelishuv". RogerEbert.com. Olingan 2 oktyabr, 2016.
  25. ^ Kensi, Vinsent (November 19, 1969). "Screen: Kazan's 'The Arrangement':Adaptation of His Book Is Directed by Him Kirk Douglas Portrays the Main Character". The New York Times. Olingan 6 oktyabr, 2016.
  26. ^ Dunaway (1995), p. 197.
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